出版社：Brunel University, Department of Performing Arts
摘要：Bones of the Skin was an impressive and critical examination of what little girls are made of. From the moment the viewer walked into the space, we too were forced to consider our own flesh, our own bodies and their functions on a physical, moral and theoretical level. The selection of works seemingly embraced and rejected ideas about physicality, sexuality and motherhood, representing bodily fluids, bodily functions, flows, shapes, colours, cycles and reproductions that we naturally (and culturally) recognise to be both repulsive and exquisite to the female.
