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  • 标题:A Dreaming, A Sauntering: Re-imagining Critical Paradigms
  • 本地全文:下载
  • 作者:GAIL JONES
  • 期刊名称:Journal of the Association for the Study of Australian Literature
  • 印刷版ISSN:1447-8986
  • 电子版ISSN:1833-6027
  • 出版年度:2006
  • 卷号:5
  • 页码:11-24
  • 出版社:Association for the Study of Australian Literature
  • 摘要:Franz Kafka asserted that ¡°writing is an observation which is also an act¡± (qtd. in Blanchot, Space of Literature 73). All our forms of writing and text contribute to cultural meaning-making: the counterfactual virtuality of the novel, the charged concision of the poem, the modest, perhaps halting, confessions of an oral tale¡ªthese resource us as profoundly as theoretical disquisition and philosophical inquiry. Maurice Blanchot, commenting on Kafka, suggests that the belief that writing is an observation which is also an act is a form of confidence, almost metaphysical confidence, in the face of bureaucratic phantasms and desolating injustice. It is, in Blanchot¡¯s words, ¡°fidelity to the work¡¯s demands, the demands of grief ¡± (Space 75). There is a solemnity to this statement that is very compelling: it suggests that all writing, in a sense, is an assertion against loss, a wish to commit to the figure, or figuration, what seems otherwise assigned to wordless compliance or surrender. Yet the work¡¯s demand here implicates or assumes a kind of redemptive drive, a promise of reparation within words themselves. I hope modestly to affirm this promise by the end of my paper.
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