出版社：Colóquio de Estudos Sobre Arte Brasileira do Século XIX
摘要：Victor Meirelles, beyond the
famous historical paintings, made also formidable landscapes and panoramas. That
side of his production was manifested very early, still in his hometown city,
Desterro, the present Florianopolis, whose streets and households had occupied
his attention as an artist. And, although he had lived away
from Florianopolis by the impositions of his career, Meirelles seems to have shown the
city indirectly even on some of his great
compositions.
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