出版社：APEF – Associação Portuguesa de Estudos Franceses
摘要：In the poetic itinerary of Emile Verhaeren, “Le Passeur d’eau” – as in the entire series of Villages
Illusoires, appears in many ways as a transitional poem, between the first “Black Trilogy”, marked by
the schopenhauerian pessimism, and the new ethic-aesthetic of Campagnes hallucinées. In this article
we propose to show how the water theme – recurring in the Verhaerenian work – associated to the
daily effort of “passeur” and to the human energy and to hope always renovated, acquires a mainly
symbolic dimension. Water, the reflect of creation where the boatman’s gesture at the wheel of his
small boat and the poet become one, reconciling in an inseparable way the poetics and ethics,
representing a work “follement” turned towards the future, in the pivotal moment of awakening of
Belgian literature.
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