出版社：Department of Modern Languages, University of Texas-Pan American
摘要：The historicity of lawlessness has been broadly discussed by philosophers and scholars1, as has also been the case with the detective novel’s use as a means of social contestation and political resistance2. What I would like to contribute through this article is a study of the inter and intra-social subjectivity produced within the liminal space created by the transitional historical moments of fin de siècle Cuba and of the incorporation of postmodernist narrative esthetics by Leonardo Padura Fuentes the Mario Conde detective novels.
