摘要:The present article proposes a dialogue between Vilém Flusser’s media theory, especially
focusing upon his books Filosofia da Caixa Preta (1983) and Les Gestes (1999), and the artistic
projects developed by the French multimedia artist Fred Forest. Each in his own way acted
towards the creation of a critical and reflective spirit about the world seen as a “black box.”
关键词:The present article proposes a dialogue between Vilém Flusser’s media theory, especially
focusing upon his books Filosofia da Caixa Preta (1983) and Les Gestes (1999), and the artistic
projects developed by the French multimedia artist Fred Forest. Each in his own way acted
towards the creation of a critical and reflective spirit about the world seen as a “black box.”