出版社：Departamento de Teoría de los Lenguajes y Ciencias de la
摘要：The main objective of this paper is make a brief comparative analysis between the considered as
a traditional haiku or hokku, and the Salvat-Papasseit’s poems compiled under the title of
“Vibracions”, published in 1921 in his L’irradiador del port i les gavines, to see the possible
continuity of a topic of this Japanese poetry: its reference to the nature and the reality as a
seasonal poem. In order to do an introduction, firstly, we offer a panoramic and schematic
vision of the history and evolution of haiku, pointing out its characteristics as a natural verse.
Shortly, we are about the influenced by haiku work of Ezra Pound and the Imaginists, and the
forgotten Spanish poet Juan José Domenchina, too.
