摘要：Gordon Matta-Clark’s artistic work is not only constituted by his famous “architectural” interventions on buildings, but moreover by the enormous photographic register of his sculptural pieces – this, besides his vast amount of films, sketches and installations art. The intention of this analysis is achieve the understanding of his work as a contribution not only to the architectural practice, but furthermore, to photography field through an analysis of its role as translator of tri-dimensional space into bi-dimensional form. His images are an incentive to the reflexive architectural discipline while making evident the importance of photographic interpretation on the spatial experience. Moreover, they are significant for art and photography history as pioneers in a new way to perceive the interior art space, which reconstitutes a mobile and dynamic perception of space.
关键词：Gordon Matta-Clark, spatial representation, visual culture, landscape art
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