摘要：It is often stated by critics that the Quixote is a theatrical, graphic, and visual book. Thus, visual representations, like theatrical performances, popular iconography, and book illustrations, have been recognized as significant contributions to the understanding of Cervantes’ masterpiece. Nevertheless, the thousands of woodcuts, engravings, etchings, drawings, and lithographs that have accompanied the text are, for the most part, a little known interpretative tradition, and a much neglected critical and artistic treasure.
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