摘要：The works of Vilém Flusser contain explicit as well as implicit traces of a philosophy of
design, principally in the way of an investigation about the sign intentionality of the human
as a symbolic animal. Retracing Flusser’s anthropological and philosophical ideas and hereby
the cultural evolution from the formation of things to the information of non-things, the
present essay points to the importance and responsibility of the designer in society today.
