期刊名称：Fênix : Revista de História e Estudos Culturais
印刷版ISSN：1807-6971
出版年度：2011
卷号：8
期号：01
出版社：Núcleo de Estudos em História Social da Arte e da Cultura, Universidade Federal de Uberlândia
摘要：The artistic look over a work of art evokes a complicity relationship that precedes the whole search of logical meaning expected by the common onlooker. There is in the artist an intimate kind of a need to veil, under the aegis of undecipherable signs, his innermost and private impulses. An effort of an intended process of historical review is established in the historian by taking the realism away, image equal the truth, from the interpretation of the past. Thus, there is in this article the challenging reflection on a film, a documentary about a moment of our history: the Revolution of 30, by Sylvio Back, in which art and history join together in a multiplicity of visual signs that avoid the hegemony of only one interpretation, offering and demanding even an conceptual pacification, procedure which demands, without question, an opening to new interpretations.
