出版社：Research Centre for East European Studies and the Center for Security Studies
摘要：This article examines how recent Russian films about World War II play with traditional Soviet narratives of the war. Rather than simply repeating themes of the victorious Soviet Union and the defeated aggressor, the films examine topics with much greater nuance, including an Orthodox priest who is forced to collaborate with the Nazis, young Russian criminals coerced into fighting, and people who fall in love with someone from the other side. Ultimately, these films shed light on a complex and evolving post-Soviet Russian identity.
