摘要：Summary In Nazor’s travelogue From Split to the Pyramids the unseen holds the power over the seen, and historical issues, mythology and literature shape the poet’s horizon of expectations and his attitude towards the experienced. The text is marked by the poet’s dissatisfaction which is a result of his futile attempts to inscribe the imagined space, formed by what he has read, into the actual space.
关键词：Key words: Vladimir Nazor; travelogue; Mediterranean; From Split to pyramids.
