摘要：Word is the most frequent way of communication in the human experience. As a mean of communication it influences the sentence formulation, which ought to be the autochthonous expression of thoughts. The experience teaches us that it is necessary to be a sovereign master of our own thoughts and of sentiments of others. This is one of the fundamental postulates of the communication in the word category. To speak correctly means to think correctly and that, on the other hand, means in the grammatical, lexical and stylistic aspect to be able to create a sentence as a way of getting across the thoughts, ideas and contents of the spirit. The community mentality, the person’s characteristics (the temper, the type and the intensity), the education level, the range of the knowledge and the volume of their potentially creative synthesis determine the lexical richness and the amplitude of the use and the application of the language with the aim of establishing a high quality communication with words as a basic mean of that process. Within this context a word has its impressive and expressive dimensions. Its impressive dimension is created by the common reliance on the frequency of the use of some lexical possibilities and their variations. It is an individual characteristic of the spoken and the written output of every person and it also determines the singularities of a person’s style, to that extent that it helps to detect the author of a text with a high percentage of accuracy even in the cases where the author is unknown. The expressive value of a word denotes the author’s level of thinking depending on the situation in which he uses the words to express his thoughts. In this sense the word is chosen with a different approach for the communication on a friendly or intimate level from an approach used in a communication on the official level or in a relation between the individual and the public. All this affirms the word as a mean that is individually chosen and used for the expression of the speaker’s ideas, attitudes and points of view in the communication process, which reveals the characteristics and the speaker’s level in all the named aspects of the word value assessment. In the case of »evaluation« of the word through the experience of the on-stage speech, that is, the words in the experience of the theatre art, the approach to the value assessment is contrary to the assessment carried out in an everyday, real experience. In the artistic language the words are already given, the sentences are formulated and all this is determined by the author’s will and the act of creation. The actor is the interpreter of the author, his ideas along with the characters of the protagonists and the spirit of the action and, therefore, he must gradually master the word to the extent where it seems spontaneous from the point of view of the impressive and expressive categories. It also has to sound similar to the natural speech and its suggestive influence. With this counter-natural direction of the treatment of the given word it is important to reach the level of spontaneity of the expression to an almost documentary form in the overall verbal-scenic-mimic articulation. In this process the life and the art mesh and the art illustrates and defends the life.
