出版社：Hrvatska akademija znanosti i umjetnosti i Književni krug Split
摘要：Owing to the extent of the constitutive misunderstanding of Marko and Giga Barić in Begović’s play Without the Third One, in terms of Lacan’s psychoanalytical theory, the reasons for this three-act quarrel can be recognized in Marko’s paranoid conviction that it is possible to reach beyond Giga’s words. Since it is suggested that the conflict between what is said and what we try to express is irreconcilable, it can be concluded that Begović’s interpreters, as well as Marko, do not know and cannot know anything about Giga’s life outside the text.
