摘要：This paper describes the Raga concept in Indian Music, it also describes about comparative study by different scholars. The concept of Raga is therefore a product of thought or an idea of settings of abstract idea of tones, transfered in concrete form. Raga means a basic melodic and grammatical construct born out of the entire gamut of musical notes subjected to a process of intentional selection and further exploited with a view to enable the artist to produce melodic patterns of infinite variety.
