摘要：In this short essay, Rushdie's prose in the collection of short stories East, West is read through his essays on literature and migration in Imaginary Homelands. The process of literary renewal Rushdie is proposing is obtained through a mixing of the miraculous and the mundane, of fantasy and reality, a harmony of (un)belongings, a new and reconstructed language, stereoscopic vision in opposition to whole sight, and disruption instead of integrity. A disrupted literature which is also a disrupting literature: broken apart, but especially breaking apart, creating a rupture that is the best way to express a plural and global voice.
