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  • 标题:The panoptic and the world in Joseph Conrad’s Lord Jim
  • 本地全文:下载
  • 作者:Moslem Zolfagharkhani
  • 期刊名称:Journal of Post-Colonial Cultures & Societies
  • 印刷版ISSN:1948-1845
  • 电子版ISSN:1948-1853
  • 出版年度:2010
  • 卷号:1
  • 期号:3&4
  • 出版社:Wright State University
  • 摘要:Conrad‟s works are not only the expression of a culture or a nation‟s identity bordering on the universal but are the expression of power relations as well. Living in a complicated world where cultural pluralism is affecting artistic production and literary criticism, a twenty-first century reader is forced to put on different lenses in order to analyze and appreciate those works of literature that have the privilege of being called a canonical text. It is true that canonicity is ascribed to those novels, stories or films that “are considered to be genuine or officially sanctioned”2, and that canonicity is largely a subjective concept registering changes with the passage of time.
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