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文章基本信息

  • 标题:Review of Alexandra Pierce, Deepening Musical Performance through Movement (Indiana University Press, 2007)
  • 本地全文:下载
  • 作者:Mark Carlson
  • 期刊名称:Music Theory Online
  • 电子版ISSN:1067-3040
  • 出版年度:2011
  • 卷号:17
  • 期号:1
  • 出版社:Society for Music Theory
  • 摘要:

    1] I first met Alexandra Pierce in 1970 when I arrived as a freshman at the University of Redlands’ experimental arm, Johnston College, at the beginning of its second year of existence. The University, a once-Baptist school in a small, Southern California town fragrant with a multitude of orange groves, would not have appeared to the outside eye to be a hotbed of innovative thinking. But it most definitely was.

    [2] These were heady times, times of exciting cultural change, of looking to models from the East, to models long underground, and to brand new paradigms for learning about everything. In the decades since, much of this has become so well incorporated into our common culture that we easily forget the sense of excitement and the euphoria of the search for new ways of understanding that were so much a part of the fabric of those days—indeed, how revolutionary these things were

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