摘要：Straipsnyje kalbama apie dviem prasm.m i. lietu-vi.k.j. dram. .i.keliaujant." konflikt.: apie veiksmo vietos i.k.lim. i. Lietuvos ir apie dramini. prie.tar. silpn.jim. veikiant politinei konjunktūrai ir postdra-minio teatro stilistikai. Keliamas eurodramos klausi-mas; konstatuojamos kultūrin.je spaudoje vykusios diskusijos apie euroroman. ribos. Analizuojamos Gintaro Grajausko ir Mariaus Iva.kevi.iaus dramos, kurios gali būti traktuojamos kaip skirtingi eurodra-mos variantai. Grajausko Rezervatas – tai politin. alegorija, .globalizuojanti" posovietin.s Lietuvos patirt., Brunonas ir barbarai – .iuolaikin. istorin. drama, rei.kianti eurooptimizm. kaip .i. dien. patriotizm.; Iva.kevi.iaus Artimas miestas – popu-The present article discusses the issues of 'the disappearing conflict' in the Lithuanian drama in its two senses: first, moving the scene of action beyond the geographical borderline of Lithuania, and, second, the weakening of the drama-specific contradictions under the influence of both political bias and the stylistic peculiarities of the post-drama theatre. The question of the newly-developing eu-rodrama is raised in the study; also, the situation of the euronovel that has already received a wide coverage in culture-specific publications is surveyed in terms of its identifiable limitations. The dramas by Gintaras Grajauskas and Marius Iva.kevi.ius are analysed in the article, and dramas of the two authors are treated as two different variants of eurodrama. The drama Reservation by Grajauskas is a political allegory that portrays the post-soviet experience of Lithuanians in a kind of 'globalised' manner; the drama Brunon and Barbarians by the same author represents a contemporary historical drama, with its clearly expressed eurooptimistic spirit as a way liarioji detektyvin. eurodrama, kurianti subendrint. europieti.kumo vaizdin., Mistras – dramatizuota XIX am.iaus visuotin.s literatūros istorija, pateikianti alternatyvi. lietuvyb. Europos kultūrin.s tapatyb.s kontekste. Eurodramoje arba radikaliai atsisakoma lokalumo (retesnis atvejis), arba, i.pl.tus geografin. erdv., ple.iamas tautini. heroj. ratas, sukuriama lyginimo situacija, leid.ianti kriti.kai perm.styti tautinius mitus ir stereotipus
其他摘要：The present article discusses the issues of 'the disappearing conflict' in the Lithuanian drama in its two senses: first, moving the scene of action beyond the geographical borderline of Lithuania, and, second, the weakening of the drama-specific contradictions under the influence of both political bias and the stylistic peculiarities of the post-drama theatre. The question of the newly-developing eu-rodrama is raised in the study; also, the situation of the euronovel that has already received a wide coverage in culture-specific publications is surveyed in terms of its identifiable limitations. The dramas by Gintaras Grajauskas and Marius Iva.kevi.ius are analysed in the article, and dramas of the two authors are treated as two different variants of eurodrama. The drama Reservation by Grajauskas is a political allegory that portrays the post-soviet experience of Lithuanians in a kind of 'globalised' manner; the drama Brunon and Barbarians by the same author represents a contemporary historical drama, with its clearly expressed eurooptimistic spirit as a way liarioji detektyvin. eurodrama, kurianti subendrint. europieti.kumo vaizdin., Mistras – dramatizuota XIX am.iaus visuotin.s literatūros istorija, pateikianti alternatyvi. lietuvyb. Europos kultūrin.s tapatyb.s kontekste. Eurodramoje arba radikaliai atsisakoma lokalumo (retesnis atvejis), arba, i.pl.tus geografin. erdv., ple.iamas tautini. heroj. ratas, sukuriama lyginimo situacija, leid.ianti kriti.kai perm.styti tautinius mitus ir stereotipus. Esminiai .od.iai: eurodrama, euroromanas, Europos integracija, daugiakultūri.kumas, tautin. ir kultūrin. tapatyb., u.sienio reprezentacijos, alegorija, groteskas, parodija, istorin. drama, de-tektyvin. drama.of demonstrating present day patriotic feelings. The drama A Town Nearby by Iva.kevi.ius could be qualified as a detective eurodrama that attempts at creating a unified image of European citizenship; and the drama Mistras presents to the reader the history of world literature of the 19th century in its drama-specific form, with a distinct alternative offered for retaining the Lithuanian identity within the context of European cultural identity. The general tendencies in the eurodrama seem to be: radical going away from locally-characteristic forms of representation (in some cases), and referring to more extended spaces in their geographical terms (more commonly) as well as to the increased circle of national characters, with the situations readily created for obvious comparisons, naturally leading to critical reconceptualisation of the existing national and cultural stereotypes, and myths
其他关键词：eurodrama; euronovel; European ;integration; multiculturalism; national and cultural ;identity; images of otherness; allegory; grotesque; ;parody; historical drama; detective drama
