摘要：Ask a reader of Gadda how Quer pasticciaccioends, and the reply will be 'almost', the last word in thetext, not the murderer's name or the solution to the Merulana crimes. Much can indeed be made of thismark of non-closure. In its highly visible end-of-text position this one word in fact passes us the key to apoetics of survival to the novel's mass. If, as in a chess game with chaos, our author appears to have losttrack of the multiple moves performed by the here and now, he engineers a finale, writes the word thatturns a text that has no longer cause-effect relations to play into a transitive lesson in complexity.Roscioni's seminal monograph La disarmonia prestabilitacomes to mind. Like Roscioni, in effect,'almost' can be interpreted as arguing for a finally optimistic funzione Gaddato grow out of the all toooften frustrating caso Gadda
