期刊名称：Universitatea "Ovidius" Constanta. Analele Stiintifice. Seria Filologie
印刷版ISSN：1224-1768
出版年度：2011
卷号：XXII
期号：1
页码：49-56
出版社：Ovidius University Press
摘要：This article starts off from a distinction between an Aristotelian and a semiotic understanding of art to analyse the lines of continuity between a sourcetext and its adaptations. Thus, it contrasts Shakespeare's Macbeth to ángel-Luis Pujante's Spanish translation of the play, to Welcome Msomi's stage adaptation (uMabatha), and to two film adaptations by Akira Kurosawa (Kumonos j.) and Billy Morrissette (Scotland, PA), to examine the persistence of the mythos (or Aristotelian plot) in the adaptation process and question the extent to which the Shakespearean play is still available if the sourcetext is effaced. It explores the mechanisms of repetition/reproduction and difference/transformation of the adaptation process, and defends a relationship of cultural co-dependency between sourcetext and adaptation
关键词：Shakespeare; Macbeth; Adaptation; Translation; Performance; Film
