期刊名称：Universitatea "Ovidius" Constanta. Analele Stiintifice. Seria Filologie
印刷版ISSN：1224-1768
出版年度：2012
卷号：XXIII
期号：1
页码：341-352
出版社：Ovidius University Press
摘要：In this paper I problematize the transformation of the field of mass cultural production as a producer of specific mass cultural goods/media products. The aim of this paper is to set the situational and theoretical background against which the specificity of the field of mass cultural production in Romania is to be understood. The main conceptual tools that I use are: field, press freedom and market, as they appear in the academic literature, and as they have been used in Romania after the fall of communism. The transformation of the locus of valuation of mass cultural goods and the consequences it entails has not enjoyed enough attention. The lack of clarification of these aspects has concrete consequences at the level of the lack of coherence between the legislative institutional structures that continue to define and treat the mass cultural products as symbolic goods, and the market reality that defines them as merchandise whose value is provided by the price obtained on them in the process of free market exchange. The understanding of these phenomena allows the realistic consideration of the limits of creative input of the Romanian media producers in the field of mass cultural production in the context of a free and very competitive global market
关键词：field of mass cultural production; press freedom; free market; mass cultural goods; ;cultural exception; cultural lohn
