摘要：Why did Maurice Fourré located his Marraine du Sel in the place of Richelieu ? Did he read « la question des châteaux », an issue raised by André Breton in 1937 and again in 1957 ? In fact, the castle of the Cardinal-Ministre entirely destroyed after the Revolution could be a sort of perfect exemple. In this article we would like to show how Maurice Fourré moves the question of surrealism to create a form of haunted history and memory.
