摘要：El pintor José Aguiar García (Cuba, 1895-Madrid, 1976) se integró en la masonería, a través de la logia Añaza de Santa Cruz de Tenerife, en 1930. Seguidamente viajó a Italia, al objeto de realizar estudios profesionales, y allí recibió la influencia ideológica del fascismo, por lo que posteriormente, residiendo ya en Madrid en 1934, se integró en Falange Española. El artista, que cosechó importantes triunfos nacionales e internacionales, trató de buscar en la masonería las ideas de armonía y de equilibrio que, de hecho, acabaría encontrando en los artistas italianos del Renacimiento, es decir, el splendor ordinis frente al caos y a las ideas inarmónicas y disolventes de ciertas vanguardias.
其他摘要：The painter Jose Aguiar García (Cuba, 1895-Madrid, 1976) joined the Freemasonry, via the Añaza lodge of Santa Cruz de Tenerife, 1930. He then went to further his knowledge of art, and it was there that he learnt about fascist ideology, a result of which was that he joined the Spanish Falange in 1934 when he was living in Madrid. The artist, who was very successful at both an international and national level, tried to find the ideas of harmony and balance in Freemasonry, which he would eventually fin in the Italian artists of the Renaissance, i. e. the splendor ordinis as opposed to the chaos and anarchy of the vanguard.
