摘要：El presente artículo busca profundizar las formas en que migrantes peruanos en Chile habitan su espacio privado desde una perspectiva de cultura material, a través del análisis de las posesiones del hogar y la comida. La cultura material del hogar encarna tanto su experiencia y trayectoria migratoria como el proceso de integración en la sociedad chilena, representando el continuo proceso de ajuste que deben enfrentar en términos culturales, sociales y materiales. Los resultados muestran que las formas de habitar y apropiarse del hogar están relacionadas con los procesos de integración, pues a través de la cultura material se negocia cotidianamente la pertenencia entre dos mundos, el de origen y destino, generando la ambivalencia de estar aquí y allá simultáneamente. Sus hogares se convierten en transnacionales, donde emerge un sincretismo cultural entre ambos mundos que cohabitan: Perú se refleja en la fotografía y la comida, que permite reactualizar su pertenencia e identidad originaria, y Chile es representado por objetos tecnológicos, que materializan su trabajo sacrificado y coraje, y les permite sentirse parte de la sociedad de destino.
其他摘要：This article attempts to analyze in depth the ways in which Peruvian migrants inhabit their private space from a material culture approach, through the analysis of both home possessions and food. The material culture of the home embodiesboth their experiences and migrant trajectory, and the process of integration into the host society, representing the continuum process of adjustment that they face in cultural, social and material terms. The results show that they ways in which migrants inhabit their homes are related to the process of of settling down, since through the material culture, the belonging to their two worlds, the one they came from and the one they settled into, is daily negotiated,generating the ambivalence of being here and there simultaneously. Their homes become transnational, where emerges a cultural syncretism between two worlds that coexists: Peru is symbolized by the photography and the food, both of which allow a reactualization of their belonging and cultural identity, and Chile is represented by technological artifacts, which embody their sacrificinglabour and courage, and allow them to feel part of the host society.
关键词：Cultura material; hogar; migración peruana; integración; identidad Cultura material; em casa; a migração peruana; integração; identidade;Material culture; home; peruvian migration; integration; identity
