其他摘要：In this article, we discuss the reception of digital poetry through Mallarmé, Apollinaire, Pound, Cummings and Joyce’s productions in order to point out the influence of these poets in the construction of digital poetry. Through the analysis of digital poems we observed some elements of digital literaturity identifying some of its characteristics. Some digital poems provoke the reader to a more interactive relation, others allow readings with less interpretative drifts and there are poems which explore extensively the computer resources, being the reader’s posture essential to the construction of meaning, regardless the means of production.
