摘要：El proyecto Leonardo muestra que, para Valéry, los límites entre texto y paratexto son porosos. Preocupado por renovar el poder de su pensamiento, Valéry regresa continuamente a esa figura a la cual consagra artículos, ensayos, notas y digresiones. Durante los años 1929-1930, practica también el autocomentario y reedita sus escritos sobre Leonardo con notas marginales. Parece probable que los comentarios marginales hayan sido concebidos bajo la influencia de Marginalia de Edgar Allan Poe, de las cuales Valéry tradujo y anotó, en 1927, algunos fragmentos. No obstante, reconociendo el inmenso potencial de los márgenes -lugar de diálogo y de paso al acto- Valéry no continuará con esa forma de glosa y retomará, día tras día, sus Cahiers, para estimular el funcionamiento de su espíritu, trastocando la jerarquía y el valor entre obras publicadas y notas privadas.
其他摘要：The Leonardo Project shows us that, according to Valéry, the limits that exist between text and paratext are indeed porous. Concerned with the power of renovation of his own way of thinking, Valéry returns again and again to that figure to which he dedicates articles, essays, notes, and digressions. Between 1929 and 1930, he also puts auto-commentary into practice, and decides to publish his writings on Leonardo once again, this time including marginal notes. It seems likely that the marginal comments were influenced by Edgar Allan Poe’s Marginalia, fragments of which Valéry translated or wrote something about in 1927. However, acknowledging the enormous potential of these same margins -a place for dialogue and a passage that could lead to action- Valéry did not continue using this type of gloss and, day after day, would go back to his Cahiers, in order to encourage his own spirit’s functioning, in this way disrupting both the hierarchy and the value placed amongst published works and private notes.
关键词：Paul Valéry; Cahiers; Edgar Allan Poe; Marginalia; génesis y práctica de las notas;Paul Valéry; Cahiers; Edgar Allan Poe; Marginalia; genèse et pratique des notes;Paul Valéry; Cahiers; Edgar Allan Poe; Marginalia; origins; note-writing put into practice
