摘要：En este artículo se analizan las relaciones existentes entre la obra, el autor, y el público a partir de una lectura detallada de los dos prólogos (el de 1604 y el de 1614) que escribió Cervantes para su obra El ingenioso hidalgo don Quijote de la Mancha. El autor quiere resaltar especialmente la transformación que se opera en el autor entre la Primera y la Segunda Parte de su obra, pues, si en 1604 es Cervantes un autor todavía desconocido que se propone reivindicar esta obra como suya, en 1614 se nos muestra como un autor magnánimo que, sin dejar de defender su creación, prefiere apoyarse en su lucha con Avellaneda en el propio personaje inmortal cuya imaginación ha engendrado. A lo largo de 11 apartados básicos se intentan mostrar las diversas vicisitudes que Cervantes como autor vivió tanto en la creación como a propósito de la publicación de su famosa novela
其他摘要：In this paper I analyze the relations between the work, the author, and the public they beget. This is done based on a detailed reading of the two prologues (that from 1604 and the one from 1614) written by Cervantes for his work "The Life and Notable Adventures of that Renowned Knight, Don Quixote". I specially wish to highlight the transformation that the author goes through between the first and second part of his work. If in 1604 Cervantes is yet an unknown author who wishes to vindicate his work as his own, by 1614 he shows himself as a magnanimous author who, without giving up on defending his work, chooses to support his defense against Avellaneda on the same character his imagination has created. Along eleven basic sections I try to show the many vicissitudes Cervantes faced as an author, during the creative stage, as well as regarding the publication of his novel
关键词：Reading; Personage; Prologo; Author; Avellaneda; Lope de VegaLectura; prólogo; acto creador; público lector; personaje; autor; avellaneda; Lope de Vega
