摘要：If, as Peter Travis has argued, Expositors were incorporated in the Chester cycle in the early sixteenth century, what model did the reviser draw upon to construct them? I argue that the reviser could not have found a suitable template in cycle dramaturgy; rather, in bringing presenters into the Chester cycle, the reviser has adopted a technique hitherto found, in English drama, only in non-cycle plays - an innovation which is part of a wider pattern of rethinking cycle plays in the sixteenth century.
