期刊名称：Critical Studies in Improvisation / Études critiques en improvisation
印刷版ISSN：1712-0624
出版年度：2010
卷号：6
期号：1
语种：English
出版社：University of Guelph. College of Arts
摘要：Law and classical music are both performative disciplines. Both became concerned with practices of textual interpretation, and with questions of the authority of those texts and the legitimacy of those interpretations. But exactly how did that happen, and with what social consequences? The relationship between law and music across the centuries shows striking parallels and echoes. If we study them carefully each can illuminate the other, binding them together so that we can see them as two aspects of the same process and the same histories. The insights we gain from the novelty of their conjunction help us to understand these social changes better and differently. This conjunction will also help us see how much our disciplinary blinkers prevent us from observing the far-reaching social forces which these cultural practices at each moment both echo and animate.
关键词：Classical Music History;Legal History;Improvisation;Judgment;Normativity;Freedom;Authority;Form;Politics;Sovereignty;Genius;Ideology;Responsibility
