摘要：It positively evaluates the particular approach of the late modern tragic characters through the lens of the author’s own cultural background, bringing some evidence from Persian mystic (Sufi) poetry which reflects the concept of rejoicing suffering, self-annihilation, and finally self-realization. This way, the so-called absurdity labeled for Beckett's plays can positively be replaced by a meaningful term which might be called "mystic nothingness". The study reveals that as tragic characters readily get involved in the substratum of suffering from modern times, they increasingly manifest a more comprehensive degree of self-realization.
