期刊名称：Decolonization: Indigeneity, Education & Society
印刷版ISSN：1929-8692
出版年度：2014
卷号：3
期号：1
语种：English
出版社：Journal Publishing Services
摘要：Normal 0 false false false EN-CA JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:Calibri; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-ansi-language:EN-CA;} Since the 1990s Walter Mignolo has been a central figure in discussions and debates around the world about coloniality and the development of thinking within the frame of the “decolonial option.” Most recently, Mignolo has been deeply engaged in discussions with artists, curators, critics, theoreticians, and other cultural producers committed to the decolonial option with whom he has developed decolonial understandings of and approaches to “aestheTics” and “aestheSis.” In this interview with Decolonization editorial board member Rubén Gaztambide-Fernández, Mignolo discusses decolonial options and their entanglements within contemporary political and cultural processes, arguing that “decolonial thinkers and doers have to work in the entanglement and differential of power.” He elaborates on the range of options available to artists committed to decolonial work, as they navigate contemporary art worlds shaped by competing norms and based on diverging epistemologies and conceptions of creation and sensory experience. He talks about the role of Indigenous conceptions of and approaches to creative work, suggesting that Indigenous practices have a central role to play in how we come to deal with the colonial wound through decolonial healing.
