1.Snimke Josepha Joachima, Eugènea Ysaÿea i Pabla Sarasatea u svjetlu njihove recepcije kod britanskih kritičara 19. stoljeća

作　　者：Fabian, Dorottya

出　　处：International Review of the Aesthetics and Sociology of Music. 2006 ;37(2):189-211.

出版社：Hrvatsko muzikološko društvo, Razred za glazbenu umjetnost i muzikologiju HAZU, Sveučilište u Zagrebu – Muzička akademija

文章 ID：83046966

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2.The Recordings of Joachim, Ysaÿe and Sarasate in Light of their Reception by Nineteenth-Century British Critics

作　　者：Fabian, Dorottya

出　　处：International Review of the Aesthetics and Sociology of Music. 2006 ;37(2):189-211.

出版社：Hrvatsko muzikološko društvo, Razred za glazbenu umjetnost i muzikologiju HAZU, Sveučilište u Zagrebu – Muzička akademija

文章 ID：83046967

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3.Quantifying the Use of Dynamics in Western Keyboard Music: Lessons and Problems

作　　者：Fabian, Dorottya

出　　处：Empirical Musicology Review. 2010 ;5(3):112-114.

出版社：Ohio State University Library

文章 ID：88884409

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4.Variety in Performance: A comparative Analysis of Recorded Performances of Bach’s Sixth Suite for Solo Cello from 1961 to 1998

作　　者：Fabian, Dorottya ;Sung, Alistair

出　　处：Empirical Musicology Review. 2011 ;6(1):20-42.

出版社：Ohio State University Library

文章 ID：88884419

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5.A spiral model of musical decision-making

作　　者：Bangert, Daniel ;Schubert, Emery ;Fabian, Dorottya

出　　处：Frontiers in Psychology. 2014 ;5:1-11.doi:10.3389/fpsyg.2014.00320

出版社：Frontiers Media

文章 ID：211421719

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