1.Book review: "Practice as research in the arts: principles, protocols, pedagogies, resistances", by Robin Nelson

出　　处：The Scottish Journal of Performance. 2013 ;1(1):123-126.doi:10.14439/sjop.2013.0101.10

出版社：Royal Conservatoire of Scotland

文章 ID：254989397

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2.Book review: "Our ancient national airs: Scottish song collecting from the Enlightenment to the Romantic era", by Karen McAulay

作　　者：Elaine Moohan

出　　处：The Scottish Journal of Performance. 2013 ;1(1):109-112.doi:10.14439/sjop.2013.0101.07

出版社：Royal Conservatoire of Scotland

文章 ID：254989398

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3.Book review: "Hamish MacCunn (1868‑1916): a musical life", by Jennifer L. Oates

作　　者：Joshua Dickson

出　　处：The Scottish Journal of Performance. 2013 ;1(1):113-115.doi:10.14439/sjop.2013.0101.08

出版社：Royal Conservatoire of Scotland

文章 ID：254989399

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4.Book review: "Theatre and performance in small nations", edited by Steve Blandford

作　　者：Anna Birch

出　　处：The Scottish Journal of Performance. 2013 ;1(1):117-121.doi:10.14439/sjop.2013.0101.09

出版社：Royal Conservatoire of Scotland

文章 ID：254989400

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5.Symposium Abstracts: The making of performance: stories of performing physicalities

作　　者：Andria Christofidou ;Lito Tsitsou ;Anna Birch 等

出　　处：The Scottish Journal of Performance. 2013 ;1(1):99-107.doi:10.14439/sjop.2013.0101.06

出版社：Royal Conservatoire of Scotland

文章 ID：254989406

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6.Editorial: Beyond topography: space and time in the creative imagination

作　　者：Kirsty Kay ;Benjamin Redman

出　　处：The Scottish Journal of Performance. 2017 ;4(1):5-8.doi:10.14439/sjop.2017.0401.01

出版社：Royal Conservatoire of Scotland

文章 ID：254989407

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7.Identifying canons in competitive light music for the Great Highland Bagpipe, 1947–2015

作　　者：Andrew Bova

出　　处：The Scottish Journal of Performance. 2017 ;4(1):73-94.doi:10.14439/sjop.2017.0401.05

出版社：Royal Conservatoire of Scotland

文章 ID：254989409

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8.Semiotics and pragmatics of stage improvisation, by Domenico Pietropaolo

作　　者：Flavia D'Avila

出　　处：The Scottish Journal of Performance. 2017 ;4(1):95-99.doi:10.14439/sjop.2017.0401.06

出版社：Royal Conservatoire of Scotland

文章 ID：254989412

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9.British theatre companies: from fringe to mainstream edited by Graham Saunders and John Bull

作　　者：Ben Fletcher-Watson

出　　处：The Scottish Journal of Performance. 2017 ;4(1):101-108.doi:10.14439/sjop.2017.0401.07

出版社：Royal Conservatoire of Scotland

文章 ID：254989413

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10.The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by Kheng K. Koay

作　　者：Lucy Hollingworth

出　　处：The Scottish Journal of Performance. 2017 ;4(1):109-113.doi:10.14439/sjop.2017.0401.08

出版社：Royal Conservatoire of Scotland

文章 ID：254989414

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	2019	5篇
	2018	24篇
	2017	6篇
	2016	1篇
	2015	6篇

	2014	17篇
	2013	5篇

	Ben Fletcher-Watson	7篇
	Laura Bissell	5篇
	Benjamin Redman	4篇
	Bethany Whiteside	4篇
	Kirsty Kay	3篇

	Lucy Hollingworth	3篇
	Anna Birch	2篇
	Bede Williams	2篇
	Laura González	2篇
	Lito Tsitsou	2篇
	Marc Silberschatz	2篇
	Simon Murray	2篇
	Timothy Cooper	2篇
	Aby Watson	1篇
	Alistair MacDonald	1篇
	Andrew Bova	1篇
	Andria Christofidou	1篇
	Anika Marschall	1篇
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	Claire Warden	1篇
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	Dominic Paterson	1篇
	Elaine Moohan	1篇
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	Flavia D'Avila	1篇
	Gareth K. Vile	1篇
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	Iain Harvie	1篇
	Inês Bento-Coelho	1篇
	J. Harry Whalley	1篇
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