1.Luxurious Cinema Palaces in the Roaring Twenties and the Twenty-First Century: Critical Analyses of Movie Theatres by Siegfried Kracauer and Their Relevance Today

作　　者：Viola E. RÜHSE

出　　处：Cultural Intertexts. 2020 ;10:13-30.

出版社：Casa Cărții de Știință

文章 ID：267652559

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2.Disappearance of the Self and Its Constitutive Outside in Kafka and Woody Allen’s Zelig

作　　者：Lukas MOZDEIKA

出　　处：Cultural Intertexts. 2020 ;10:46-56.

出版社：Casa Cărții de Știință

文章 ID：267652560

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3.Transfer Points: Artistic Intersections and Cultural Transitions in John Dos Passos’s Fiction of the 1920s

作　　者：Robert MCPARLAND

出　　处：Cultural Intertexts. 2020 ;10:70-85.

出版社：Casa Cărții de Știință

文章 ID：267652561

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4.Criticising the Critic: The Greek Modernist Poet G.T. Vafopoulos on Greek Literary Critic Antreas Karantonis

作　　者：Dimitris KOKORIS

出　　处：Cultural Intertexts. 2020 ;10:86-95.

出版社：Casa Cărții de Știință

文章 ID：267652562

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5.Inter-texting Cultures during Pandemic(s): A Pragmatic Approach and Beyond

作　　者：Daniela ŞORCARU

出　　处：Cultural Intertexts. 2020 ;10:96-106.

出版社：Casa Cărții de Știință

文章 ID：267652563

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6.Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill!

作　　者：Lidia Mihaela NECULA ;Oana Celia GHEORGHIU

出　　处：Cultural Intertexts. 2020 ;10:122-133.

出版社：Casa Cărții de Știință

文章 ID：267652564

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7.‘Only in Dying Life’: Ursula K. Le Guin’s Dry Land and Its Cultural Contestations

作　　者：Gabriela DEBITA

出　　处：Cultural Intertexts. 2020 ;10:134-148.

出版社：Casa Cărții de Știință

文章 ID：267652565

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	Daniela ŞORCARU	1篇
	Dimitris KOKORIS	1篇
	Gabriela DEBITA	1篇
	Lidia Mihaela NECULA	1篇
	Lukas MOZDEIKA	1篇

	Oana Celia GHEORGHIU	1篇
	Robert MCPARLAND	1篇
	Viola E. RÜHSE	1篇