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56篇

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	2020	14篇
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	2017	6篇

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作者

	Locke, David	3篇
	Rahn, Jay	3篇
	Malin, Yonatan	2篇
	Roeder, John	2篇
	Stover, Chris	2篇

	Sykes, Jim	2篇
	Tenzer, Michael	2篇
	Widdess, Richard	2篇
	Abrahams, Rosa	1篇
	Atalay, Nart Bedin	1篇
	Brown, Naor	1篇
	Browner, Tara	1篇
	Burns, James	1篇
	Campbell, Malcolm	1篇
	Chiarofonte, Lorenzo	1篇
	Clarke, David	1篇
	Cooper, Alec	1篇
	Curtis, Meagan E.	1篇
	Diaz, Juan Diego	1篇
	Dor, George Worlasi Kwasi	1篇
	Ferlaino, Christian	1篇
	Field, Garrett	1篇
	Fossum, David	1篇
	Gerstin, Julian	1篇
	Goldberg, Daniel	1篇
	Grauer, Victor	1篇
	Hijleh, Mark	1篇
	Hynes-Tawa, Liam	1篇
	Jankowsky, Richard C.	1篇
	Jiménez de Cisneros Puig, Bernat	1篇
	Justus, Timothy	1篇
	Keogh, Brent	1篇
	Kirilov, Kalin	1篇
	Klein, Amit	1篇
	Kohnen, Christine	1篇
	Lwanga, Charles	1篇
	McGraw, Andy	1篇
	Mert, Nazike	1篇
	Mills, Simon	1篇
	Morris, Robert	1篇

来源期刊

Analytical Approaches to World Music

56篇

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英文

56篇

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共 56 条记录

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1.Let It Be Called “Comparative Ethnomusicology”

作　　者：Locke, David

出　　处：Analytical Approaches to World Music. 2014 ;3(2).

出版社：Analytical Approaches to World Music

文章 ID：1038182561

文章详细
2.What’s the Meter of Elenino Horo? Rhythm and Timing in Drumming for a Bulgarian Folk Dance

作　　者：Goldberg, Daniel

出　　处：Analytical Approaches to World Music. 2020 ;7(2):69-107.

出版社：Analytical Approaches to World Music

文章 ID：1038183418

文章详细
3.Shakuhachi honkyoku: Motivic analysis of Sokaku Reibo

作　　者：Simon, Amy D.

出　　处：Analytical Approaches to World Music. 2017 ;5(2).

出版社：Analytical Approaches to World Music

文章 ID：1038183428

文章详细
4.The Subversive Songs of Bossa Nova: Tom Jobim in the Era of Censorship

作　　者：Priore, Irna ;Stover, Chris

出　　处：Analytical Approaches to World Music. 2014 ;3(2).

出版社：Analytical Approaches to World Music

文章 ID：1038135112

文章详细
5.Tana Varnam-s: An Entry into Rāga Delineation in Carnatic Music

作　　者：Morris, Robert

出　　处：Analytical Approaches to World Music. 2011 ;1(1):1-27.

出版社：Analytical Approaches to World Music

文章 ID：1038135836

文章详细
6.Review of Michael Church, ed., The Other Classical Musics: Fifteen Great Traditions (Boydell & Brewer, 2015)

作　　者：Hijleh, Mark

出　　处：Analytical Approaches to World Music. 2016 ;5(1).

出版社：Analytical Approaches to World Music

文章 ID：1038065553

文章详细
7.Principles of Transmission and Collective Composition in Turkmen Dutar Performance

作　　者：Fossum, David

出　　处：Analytical Approaches to World Music. 2017 ;5(2).

出版社：Analytical Approaches to World Music

文章 ID：1038065555

文章详细
8.The Brimming Vessel: An Analysis of the Ritual Repertoire of the Miḻāvu from a Tantric Perspective

作　　者：Pacciolla, Paolo

出　　处：Analytical Approaches to World Music. 2021 ;9(1):185-225.

出版社：Analytical Approaches to World Music

文章 ID：1038254618

文章详细
9.Do Ko Gyi Kyaw: Analyzing the Interactions between Rhythms, Melodies, and Sonic Structures of a Burmese Spirit Song Performance

作　　者：Chiarofonte, Lorenzo

出　　处：Analytical Approaches to World Music. 2021 ;9(1):137-184.

出版社：Analytical Approaches to World Music

文章 ID：1038254619

文章详细
10.Petar Ralchev’s “Bulgarian Suite”: Explorations of Asymmetry, Modality, and Metrical Dissonances

作　　者：Kirilov, Kalin

出　　处：Analytical Approaches to World Music. 2021 ;9(1):55-136.

出版社：Analytical Approaches to World Music

文章 ID：1038254620

文章详细

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